Blurb for “1798: A REBEL ROMANCE”18-22 April at UCD, 7 pm.

1798: A Rebel Romance portrays the revolutionary experience of John Moore and Cecilia Lynch who have been radicalized by the unjust nature of society. John, the son of a wealthy entrepreneur, studied at the Sorbonne during the French Revolution where he adopted the democratic ideals of liberty, equality and fraternity.
Cecilia Lynch, the illegitimate daughter of the late Sir Harry Lynch-Blosse of Balla, Co Mayo, returned to her foster grandparents, the Moores of Mayo after her father died. The Moore’s independent streak, refusing to conform to Protestantism, had the impact of radicalizing Cecilia.
Thus when John Moore returned from mainland Europe to his ancestral home, it was almost inevitable that his involvement with the United Irishman would forge a bond between him and Cecilia. As such, she is an ideal vehicle within which to explore the role of women in revolution an aspect largely ignored by historians and, thereby, worthy of investigation through the medium of a play.

General Humbert, on horseback, led the combined Franco-Irish army to rout the British in 1798. immortalized as "The Races of Castlebar."

General Humbert, on horseback, led the combined Franco-Irish army to rout the British in 1798. immortalized as “The Races of Castlebar.”

ELOPEMENT, 5 min play, for UCD Dramsoc

ELOPEMENT by Paul B McNulty

Sibella Cottle, now pregnant, is thrilled when Harry Lynch-Blosse elopes with her. But will his unresolved annulment shatter her dreams?

CHARACTERS
SIBELLA COTTLE (Sarah Burton, also Orlaith): An orphaned, 19 year-old red-haired beauty.
HARRY LYNCH-BLOSSE (Ryan Gillespie, also Donagh Ruane): A philandering 25 year-old heir to a baronetcy.
RECTOR GARROOD (Liam Galgey): Church of England, Belstead, Suffolk.
(Disembodied voices may play the butler and the chamber-maid.)

SETTING
Wednesday, 8th December 1773, drawing room of Belstead Hall, Suffolk, home of Elizabeth Barker, the late mother of Harry Lynch-Blosse, Balla, Co Mayo, and the home of her late uncle, Tobias Blosse.

Miss Constable (1787) by George Romney, 1734-1802. (Original portrait in Gulbenkian Museum, Lisbon)

Sibella Cottle is assumed to be adequately represented by George Romney’s 1787 portrait of Miss Constable. (Original portrait in Gulbenkian Museum, Lisbon.)

SIBELLA SITS ON A SOFA IN THE DRAWING ROOM OF BELSTEAD HALL. SHE WEARS A MODEST DRESS WITH HER HAIR TIED HIGH. HARRY ENTERS WEARING A JACKET, CRAVAT, WAISTCOAT, SWORD AND TIGHT BREECHES OVER WHITE STOCKINGS.

SIBELLA: Harry! Why are you wearing your sword?

HARRY: Because, Rector Garrood has agreed to marry us.

SIBELLA: Wondrous! That’s great news, Harry. (RISES.) It only seems like yesterday since I left a note for my parents.

HARRY: What did you say?

SIBELLA: I thanked them … from the bottom of my heart … for looking after me from infancy. I asked them to forgive me for my irresponsible behaviour / that

HARRY: Irresponsible behaviour?

SIBELLA: Sleeping with you, you big brute! (PACES.) They offered to settle me in Waterford during my confinement. I would have hated that! Instead, you offered to take me to Suffolk. I asked them not to be angry with me.

HARRY: What happened next?

SIBELLA: I rose at five that morning. I donned my winter shawl and shouldered my bag. I crept down the stairs and opened the back door. The guard dog wandered over. I stroked him to keep him quiet. He walked with me to the corn mill where I waited until I heard the sound of footsteps.

HARRY: And then … the dogs started barking … but we were on our way … by gig to Castlebar … by coach to Ballinasloe … and on to Dublin. Seven days later … we arrived exhausted at Belstead … after a stormy sea and bumpy coach-rides.

SIBELLA: I was so sick. I feared for the safety of our baby … but I think he’s all right.

HARRY: Thank God for that.

SIBELLA: What did Lady Lynch say when you announced your departure?

HARRY: She wondered if I might find it lonely. I said: “Grandmamma! How could I possibly be lonely in the house of my birth, the house in which I spent the first six years of my life?”

SIBELLA: Clever boy. (PAUSE.) So what did you do in Ipswich yesterday?

HARRY: I met the family solicitor. He gave me this affidavit. (LAYS IT ON THE TABLE.) I’m now free to marry. (BENDING DOWN ON ONE KNEE.) Sibella Cottle, I ask you again … will you do me the great honour? (PROFFERS AN ENGAGEMENT RING.) Will you marry me, my dear heart?

SIBELLA: Of course, I will marry you, my darling. (HUGS HIM.) This is the happiest day of my life. (ADMIRES THE RING ON HER FOURTH LEFT FINGER.) But how will Garrood react to my faith?

HARRY: Mixed marriages are now allowed in England, he said. (FROWNS.) But then he wondered … if you were one-and-twenty.

SIBELLA: Why?

HARRY: Because at nineteen, you need the written consent of your parents. I said a gentleman could never ask a lady her age. I insisted, however, that you had reached your majority.

SIBELLA: Clever again! I can swear to nineteen with a clear conscience … it suffices for a majority in certain cases. (PACES.) But how can we marry today? I have no wedding dress.

HARRY: You could wear my mother’s wedding / dress

SIBELLA: Oh how I would love my own creation … but your mother’s wedding dress will have to do … if, I can fit into it … in my condition.

A KNOCK ON THE DOOR SIGNALS THE ENTRANCE OF RECTOR GARROOD.

HARRY: You’re most welcome, Rector. Allow me to introduce Miss Cottle of Ashbrook House.

GARROOD: I’m delighted to meet you Miss Cottle.

SIBELLA: (CURTSIES.) Thank you for agreeing to marry us, Rector. As you know, I’m a Catholic, and have reached my majority.

GARROOD: You certainly have retained a remarkable youthfulness. It must be the fresh air of Ireland.

SIBELLA: Please excuse me, gentlemen … I must settle my hair.

AT THE APPOINTED HOUR, THE CHAMBER-MAID PLAYS A WEDDING MARCH ON THE PIANO OFFSTAGE. SIBELLA ENTERS, WEARING A LOW-CUT DRESS WITH HER HAIR BOBBING OVER HER SHOULDERS. CANDLES, FLOWERS AND INCENSE STICKS DECORATE THE ROOM.

HARRY: (HUMS THE WEDDING MARCH.) Sibella, my darling, you are a diamond of the first water. (ESCORTS HER TO STAND BEFORE GARROOD.)

GARROOD: (SMILES.) We are gathered here today to celebrate the union of Mr Harry Lynch-Blosse and Miss Sibella Cottle in holy matrimony. (GLANCES AT HARRY.) Mr Lynch-Blosse will you take Miss Sibella Cottle to be your lawful wedded wife? Will you love her, comfort her, honour and protect her for as long as … (FROWNS.) Is that a galloping horse, I hear?

OFFSTAGE: An urgent message for Mr Lynch-Blosse.

HARRY’S HAND TREMBLES WHILE OPENING THE LETTER. AFTER SCANNING IT, HE COLLAPSES INTO THE SOFA WITH THE LETTER DANGLING FROM HIS LEFT HAND.

GARROOD: Are you quite well, Mr Lynch-Blosse?

HARRY: (PASSES THE LETTER TO GARROOD.) I’m ever so sorry, Sibella.

SIBELLA: For heaven’s sake, what does it say?

GARROOD: (RECITES.) “ … Further to a request from my colleague in Ipswich … I regret to say that your application for an annulment of your first marriage remains unresolved. May I suggest that you postpone your wedding to Miss Cottle until we remove this encumbrance to your union?
Andrew Edmondson, Solicitor, Castlebar.”

SIBELLA: How could you do this to me, Harry? How could you be so stupid … so careless?

HARRY: Don’t worry my darling. Edmondson will soon sort it, I promise.

SIBELLA SINKS BACK INTO THE SOFA AND CRIES.

HARRY: Please accept my apologies, Rector Garrood. I was sure my annulment would have succeeded by now.

GARROOD: You must not worry. You will marry soon. Now, I should leave you in peace. (DEPARTS.)

HARRY: (DRAWS HIS SWORD.) Aaaaaaaaaaaaaah! (HOLDS IT ALOFT AND PLUNGES IT INTO THE SOFA BESIDE SIBELLA.)

END OF PLAY.

………………………………………………………………………………………………..
PROVENANCE
Participant in the UCD Dramsoc Mini Plays Festival (including minor amendments), Dramsoc Theatre at 7 p.m. on 14, 15 and 16 October, 2015 under the direction of Rosa Bowden, Auditor, UCD Dramsoc, Student Centre, University College Dublin, Belfield, Dublin 4, Ireland. Actors (indicated in italics) are members of UCD Dramsoc.

PROPS
1. Sofa and table.
2. Modest dress quickly convertible to a low-cut dress.
3. Harry’s jacket, cravat, waistcoat and tight breeches over white stockings.
4. Affidavit and Letter.
5. Engagement ring.
6. Candles, flowers and incense sticks.
7. Waistband, scabbard and sword.

SOUND
1. Sound of footsteps.
2. Dogs barking.
3. Wedding march (MENDELSSOHN Piano).
4. Sound of a galloping horse.

Video “Genealogy of Anglo-Norman Lynches..”

Just click on this link to view a video of my Fulbright Lecture on “The Genealogy of the Anglo-Norman Lynches who Settled in Galway,” presented on 5 March 2015 under the chairmanship of Professor Art Cosgrove, past President of UCD. The video was recorded by Brian Kelly, Media Services, University College Dublin.

The book on which my lecture was based is available on Amazon.com and on Amazon.co.uk.

Anglo-Norman Lynch Genealogy

Genealogy of the Anglo-Norman Lynches …

On Thursday 5 March 2015, I presented a lecture on “The Genealogy of the Anglo-Norman Lynches who Settled in Galway,” under the chairmanship of Professor Art Cosgrove, past-President of University College Dublin. The event was held in the Lynch Theatre, O’Brien Centre for Science, UCD, Belfield, Dublin 4 and was supported by the Fulbright Alumni Engagement Fund. The visuals I used, including links to primary sources, are available for inspection through the attached link below, “Lynch OH 7.”

The genealogy of the Anglo-Norman Lynches who settled in Galway can be traced back to the invasion of Ireland by Strongbow in 1169. Having settled as one of the fourteen Tribes of Galway, the Lynches held the mayoralty of Galway more than eighty times from 1485 through 1654. Their hold on power was diminished in the city by the Cromwellian confiscations but revived in the countryside through the establishment of landed estates. Eventually, the Anglo-Norman Lynches became more Irish than the Irish themselves. They are now virtually indistinguishable from the older Gaelic Lynches whose name is derived from Ó Loinsigh. The discovery of forgotten stories linked to the Lynches has inspired the author to write historical novels and plays based on real events in 18th century Ireland.

Paul McNulty is a Fulbright Scholar and Alumnus of UCD, Ohio State and MIT. He served on the academic staff at University College Dublin from 1972-2005 and since retirement has studied Genealogy/Family History and Creative Writing. His diploma project, “The Genealogy of the Anglo-Norman Lynches who Settled in Galway,” was published in the Journal of the Galway Archaeological and Historical Society in 2010. Paul has written two historical novels, Spellbound by Sibella, and The Abduction of Anne O’Donel, inspired by his research in genealogy. Both have been finalists in the William Faulkner Novel Competitions in 2012 and 2013 respectively, and have been published by Club Lighthouse CLP, Canada.

Lynch OH 7

Giveway of “A Rebel Romance” on English Historical Fiction Authors website

Paul B McNulty is giving away an e-copy of his recently published historical novella to an international winner. You can enter the contest by clicking on the English Historical Fiction Authors website.

A Rebel Romance deals with the fictional romance of John Moore of Moorehall, President of the momentary Republic of Connaught, with Cecilia Lynch, within the context of the Irish Rebellion of 1798. Cecilia was the illegitimate daughter of Sibella Cottle and the late Sir Harry Lynch-Blosse, a member of the Irish Parliament from 1776 to 1783.

RebelRomance-page

 

 

 

Mayor Noreen Heston launches “Spellbound by Sibella.”

Mayor Noreen Heston kindly agreed to launch my historical novel in Castlebar, Co Mayo where I grew up as a boy having been a past-pupil of both St Patrick’s National School and St Gerald’s College. Presiding over the launch were David and Kathryn Brennan of the Castle Book Shop on Wednesday, 20 November 2013.

Paul B McNulty, author of the historical novel “Spellbound by Sibella” is flanked by his wife, Treasa, on the left and by Mayor Noreen Heston, in the middle, who launched his book in the Castle Book Shop, Castlebar, Co Mayo on Wednesday, 20 November 2013.

 

“Spellbound by Sibella” sold-out at book launches

The launches of my historical novel Spellbound by Sibella in Dublin, Galway and Castlebar were beyond expectation.  Even better were follow-up sales which moved my North America publisher to suggest that we might even “have a best seller in the works.”

We were delighted to have distinguished guests at the various launches: Sir Richard Hely Lynch-Blosse 17th Baronet of Oxfordshire did the honours in Dublin in the UCD Campus Bookstore where Philip Harvey presided on Thursday, 7 November 2013.  Sir Richard is a descendant of the male protagonist in the novel, Sir Harry Lynch-Blosse 7th Baronet of Balla, Co Mayo.

Ronnie O’Gorman, the well-known publisher and local historian, did the honours in Galway assisted by the Mayor of Co Galway, Liam Carroll of Oranmore in Charlie Byrne’s Bookshop on Friday 15 November 2013.

Mayor Noreen Heston did the honours in Castlebar, Co Mayo where I grew up as a boy having been a past-pupil of both St Patrick’s National School and St Gerald’s College. Presiding over the launch were David and Kathryn Brennan of the Castle Book Shop on Wednesday, 20 November 2013.

I am now putting the final touches to a follow-up historical novel, The Abduction of Anne O’Donel, which I hope to publish in 2014. Some of the characters in Spellbound by Sibella have minor roles including Sibella Cottle, Sir Harry and Ned Holian.

Launch of "Spellbound by Sibella" by author, Paul B McNulty.

Paul B McNulty, author of the historical novel “Spellbound by Sibella” is flanked on the left by Ronnie O’Gorman, publisher and local historian, who launched the book and by the Mayor of Co Galway, Liam Carroll who presided over the proceedings in Charlie Byrne’s Bookshop in Galway on Thursday, 15 November 2013.

The Flaying of Human Skin

The flaying of human skin, featured in a Whitechapel episode on ITV (18 September 2013), reminded me of the Judgment of Cambyses, an amazing 1498 portrait by Gerard David. It depicted the punishment of a corrupt Persian judge by flaying him alive. Now hanging in the Groeningemuseum in Bruges, the portrait was intended to remind the aldermen of the city to remain uncorrupted.

A different perspective arises in my historical novel, Spellbound by Sibella, where the skin of a human corpse has been flayed to make a powerful love charm. Known as the spancel of death, Alf MacLochlainn has described it as “an unbroken hoop of skin cut with incantations from a corpse across the entire body from shoulder to footsole and wrapped in silk of the colours of the rainbow and used as a spancel to tie the legs of a person to produce certain effects of witchcraft.”

Wrought by Witchcraft

The reputed spellbinding of Sir Harry Lynch-Blosse of Balla, County Mayo, Ireland by his mistress, Sibella Cottle  has been described by Matthew Archdeacon and more recently by Paul B McNulty in his debut novel, Spellbound by Sibella.  Sibella used the spancel, a powerful love-charm to spellbind Harry circa 1780. Judy Holian, a reputed witch prepared the spancel using skin from the exhumed corpse of a young girl according to T H Nally.

Caesar Otway confirmed the use of the spancel to spellbind men through research in Belmullet, County Mayo. He found that three local girls made matches above their station when using a spancel cut from the corpse of a Trappist monk. Protestant girls ‘of a better sort’ also used a practice that may have originated in 16th century England.

Lady Wilde tells the story of ‘The Fatal Love-Charm’ in which a servant girl of modest looks spellbound her widowed master using a spancel. Exactly one year and a day after her marriage, the spancel was accidentally burnt in her wardrobe. The spell was broken. The master now hated her. Despised and isolated, she died half-mad before the year was out, a conclusion drawn by T H Nally for the fate of Sibella Cottle in his 1916 drama The Spancel of Death.

“Spellbound by Sibella” featuring Miss Constable by George Romney circa 1787, courtesy of the Gulbenkian Museum, Lisbon.

 

“Spellbound by Sibella” (now published)

A penniless beauty, a rakish Baronet.  A scandalous affair that shocks a country.

Spellbound by Sibella by Paul B McNulty is now available as an e-book from Club Lighthouse Publishing, Edmonton, Alberta, Canada. Based on real events in late 18th century Ireland, the novel portrays the turbulent liaison between Sir Harry Lynch-Blosse of Balla, Co Mayo and Sibella Cottle, a woman with spellbinding powers reputedly wrought by witchcraft.

This historical novel is downloadable to your computer, Kindle or mobile/cell phone for $5.99, using credit card or PayPal. For further information, click on Club Lighthouse Publishing and follow the attached image on its home page.

“Spellbound by Sibella” by Paul B McNulty is now available from Club Lighthouse Publishing, Canada.